The Spirituality Underpinning the Mosaic in Preparation for
the Chapel of the Pontifical Irish College
The Apse of a Church traditionally
represents the bosom of the Father from which all things come and to which all
things return. Therefore, it is appropriate that the image of Christ in Glory be
placed there. Christ is the one who comes from the Father and having blessed the
world with every spiritual blessing, returns to the Father . Next to Christ
will be placed the Mother of God who gave birth to Christ, and John the Baptist
who witnessed to Him and made Him known. St Patrick, the Martyr Oliver Plunkett
and Blessed Columba Marmion will be placed next to John the Baptist. On the
other side, next to the Mother of God there will be images of Saints Columbanus
and Bridget.
On the left hand side of the Arch, we
will place an angel in an attitude of ‘deisis’ and behind him the branches of an
oak tree. The tree will call to mind the oak of St Bridget and the Old
Testament Oak of Mamre.
On the right arch, another Irish
symbol, the well of St Patrick will be depicted. This bottomless well will call
to mind the open door leading from purgatory to heaven. Traditionally
iconography linked in a theological unity the opening of the heavenly gate, the
open side of the crucified Christ and the Gate of Jerusalem. Just as purgatory
brings purification through suffering, so the well may be seen in a similar way
as an abyss which does not end in nothingness but reaches the fountain which is
not only the source of the pure waters coming from the breast of the Lord but
also the passage to eternal life, to the communion of the love of God. In this
context we could place a reference to the Ragheed Ganni, a past student of the
College who suffered martyrdom in Iraq in 2007.
In the centre of the Chapel, on the
right wall it would be appropriate to place a mountain scene with a symbolic
bell which scatters the serpents and the impure which in turn could be imposed
on a representation of Christ liberating the man possessed by an impure spirit.
On the windows, we could place
artistic inscriptions of phrases from scripture inspired by the mosaic and
poetic phrases from the Irish tradition which show how the Word was
inculturated in the history of
Ireland.
The mosaic will
emphasise aspects of
sacramental theology and ecclesiology which inspire the faithful. The Eucharist
disrupts history opening the space and the mentality of the seven days on the
eight day. The eight day is released from the logic of time and enters
eternity. The Eucharist is an universal synthesis in which a face to face
encounter takes place between the Church glorified in Christ and the pilgrim
Church in history. By placing the saints in the apse, the synthesis between the
Irish Church glorified in Christ and the Irish still walking in history with the
Church is becomes evident during the celebration of the liturgy.
As the Eucharist makes the paschal
mystery explicit and the Eucharistic bread makes Calvary present, so also the
symbol of the well represents the open door through the side of Christ. The
people gathered in assembly find strength and is spiritually reinforced and
instructed by the tradition already understood in a spiritual fashion by their
own Church. This tradition is connected to and grows from the Word of God and
together with the Word. Not only that. This word had found expression in
images from its own tradition which can promote the desire to seek what is good
and to renounce evil so as to adhere more fully to that good which is the Face
of Christ, the love of God the Father.
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